{"id":4646,"date":"2009-04-29T16:12:56","date_gmt":"2009-04-29T14:12:56","guid":{"rendered":"http:\/\/www.shunrize.com\/wordpress\/?p=4646"},"modified":"2019-11-30T10:50:43","modified_gmt":"2019-11-30T09:50:43","slug":"esthetique-du-film-3e-edition","status":"publish","type":"post","link":"https:\/\/shunrize.com\/blog\/esthetique-du-film-3e-edition\/","title":{"rendered":"Esth\u00e9tique du film, 3e \u00e9dition"},"content":{"rendered":"

Je vois beaucoup de films et j\u2019en critique souvent mais je dois avouer que le jargon technique employ\u00e9 par certains journalistes sp\u00e9cialis\u00e9s me laisse parfois assez perplexe. N\u2019ayant pas suivi les \u00e9tudes ad\u00e9quates, j\u2019ai un peu de mal lorsqu\u2019il s\u2019agit de rentrer plus en d\u00e9tail en ce qui concerne l\u2019esth\u00e9tisme d\u2019un film. Fort heureusement pour moi, il existe des ouvrages susceptibles de combler quelques une de mes lacunes.<\/p>\n


\nEsth\u00e9tique du film 3e \u00e9dition
\nAuteurs:<\/b> Aumont, Bergala, Marie, Vernet
\n\u00c9diteur:<\/b> Armand Colin
\nGenre:<\/b> Essais
\nParution:<\/b> 10 septembre 2008
\nR\u00e9f\u00e9rence ISBN:<\/b> 978-2-200-35507-4
\nPrix:<\/b> 24\u20ac<\/p>\n

\u00ab\u00a0L\u2019Esth\u00e9tique du film\u00a0\u00bb paru l\u2019an dernier aux \u00c9ditions Armand Colin, est un ouvrage collectif \u00e0 vis\u00e9e didactique et p\u00e9dagogique sur le cin\u00e9ma destin\u00e9 \u00e0 tout amateur du 7e art. Traduit en onze langues, ce livre est devenu indispensable pour ceux qui s\u2019int\u00e9ressent au cin\u00e9ma car il met en lumi\u00e8re un panorama de l\u2019esth\u00e9tique du 7e art et ce sous tout ses aspects.<\/p>\n

V\u00e9ritable manuel d\u2019initiation aux \u00e9tudes cin\u00e9matographiques pour ce qui est de l\u2019aspect th\u00e9orique et esth\u00e9tique, il a \u00e9t\u00e9 r\u00e9guli\u00e8rement r\u00e9\u00e9dit\u00e9 depuis sa premier parution en 1983, ce qui prouve d\u2019autant plus son utilit\u00e9. Il s\u2019appuie sur l\u2019histoire de l\u2019art, la th\u00e9orie litt\u00e9raire, la s\u00e9miologie<\/a>, la psychanalyse et est con\u00e7u comme une introduction \u00e0 ces disciplines tout en s\u2019adressant \u00e0 un large lectorat. Pour ceux qui avaient d\u00e9j\u00e0 acquis ou lu une pr\u00e9c\u00e9dente \u00e9dition, sachez qu\u2019\u00e0 l\u2019occasion de cette 3e \u00e9dition, un important travail de mises \u00e0 jour bibliographique a \u00e9t\u00e9 effectu\u00e9. Bonne lecture \u00e0 vous.<\/p>\n


\nLes plans en plong\u00e9e dans Citizen Kane sont abord\u00e9s dans ce livre<\/i><\/p>\n

A propos des auteurs<\/span><\/h2>\n

\u2022 Jacques Aumont<\/b>
\nProfesseur des universit\u00e9s, il enseigne \u00e0 l\u2019Universit\u00e9 de Paris 3-Sorbonne-Nouvelle et \u00e0 l\u2019EHESS. Il est r\u00e9dacteur pour la revue Cin\u00e9ma<\/em> et dirige le Coll\u00e8ge d\u2019histoire du cin\u00e9ma de la Cin\u00e9math\u00e8que fran\u00e7aise<\/a>. Il rejoint en 1967 la r\u00e9daction des Cahiers du cin\u00e9ma, qu\u2019il quittera en 1974. R\u00e9alisateur de quelques films industriels ou exp\u00e9rimentaux, il se lance ensuite dans une carri\u00e8re universitaire.<\/p>\n

Il a enseign\u00e9 \u00e0 l\u2019Universit\u00e9 de Paris I, \u00e0 l\u2019Universit\u00e9 de Lyon. Polyglotte, il a \u00e9galement donn\u00e9 des cours \u00e0 Berkeley, Madison, Iowa City, Nijmegen, et \u00e0 Lisbonne. Sa pens\u00e9e et ses analyses, rigoureuses et exprim\u00e9es avec s\u00e9duction, ont eu un impact certain sur l\u2019\u00e9tude th\u00e9orique du cin\u00e9ma, au-del\u00e0 m\u00eame des fronti\u00e8res hexagonales. Il fut l\u2019un des premiers \u00e0 s\u2019int\u00e9resser \u00e0 la figuralit\u00e9 au cin\u00e9ma, \u00e0 une \u00e9poque o\u00f9 les proc\u00e9d\u00e9s narratifs faisaient l\u2019objet de la majeure partie des \u00e9crits sur le cin\u00e9ma.<\/p>\n

\u2022 Michel Marie <\/b>
\nProfesseur \u00e0 l\u2019Universit\u00e9 Paris III \u2013 Sorbonne Nouvelle<\/p>\n

\u2022 Marc Vernet<\/b>
\nProfesseur \u00e0 l\u2019Universit\u00e9 Denis Diderot et est d\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral de la BiFi<\/p>\n

\u2022 Alain Bergala<\/b>
\nAncien r\u00e9dacteur en chef des Cahiers du cin\u00e9ma, il enseigne \u00e0 l\u2019Universit\u00e9 Paris III et \u00e0 la F\u00e9mis. R\u00e9alisateur de fictions et de documentaires, on lui doit notamment Faux Fuyants<\/em> (1982), Cesare Pavese <\/em>(1995) et Fernand L\u00e9ger, les motifs d\u2019une vie<\/em> (1997) sur la vie du peintre fran\u00e7ais.<\/p>\n

Conseiller cin\u00e9ma \u00e0 la Mission d\u2019\u00e9ducation artistique et d\u2019action culturelle, il est directeur de l\u2019Eden Cin\u00e9ma<\/em>, collection de dvd libre de droits pour une diffusion en classe. Il est notamment l\u2019auteur de nombreux ouvrages sur le cin\u00e9ma dont L\u2019Hypoth\u00e8se au cin\u00e9ma<\/em> sorti dans la collection des Cahiers du Cin\u00e9ma<\/em>.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Je vois beaucoup de films et j\u2019en critique souvent mais je dois avouer que le jargon technique employ\u00e9 par certains journalistes sp\u00e9cialis\u00e9s me laisse parfois assez perplexe. N\u2019ayant pas suivi les \u00e9tudes ad\u00e9quates, j\u2019ai un peu de mal lorsqu\u2019il s\u2019agit de rentrer plus en d\u00e9tail en ce qui concerne l\u2019esth\u00e9tisme d\u2019un film. Fort heureusement pour […]<\/p>\n","protected":false},"author":1,"featured_media":34595,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"csco_post_text_color":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[5149],"tags":[7293],"class_list":{"0":"post-4646","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture","8":"tag-livre","9":"cs-entry","10":"cs-video-wrap"},"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2009\/04\/dolce-vita.jpg?fit=628%2C356&ssl=1","jetpack-related-posts":[{"id":42185,"url":"https:\/\/shunrize.com\/blog\/10e-mobile-film-festival-a-vous-de-choisir\/","url_meta":{"origin":4646,"position":0},"title":"10e Mobile Film Festival : 1 mobile, 1 minute, 1 film","author":"Val\u00e9rie Denise","date":"14\/01\/2015","format":false,"excerpt":"Le Mobile Film Festival lance sa 10e \u00e9dition et c'est \u00e0 vous de voter !","rel":"","context":"Dans "CULTURE"","block_context":{"text":"CULTURE","link":"https:\/\/shunrize.com\/blog\/category\/culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2015\/01\/mobile-film-festival-preview.png?fit=750%2C400&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2015\/01\/mobile-film-festival-preview.png?fit=750%2C400&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2015\/01\/mobile-film-festival-preview.png?fit=750%2C400&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2015\/01\/mobile-film-festival-preview.png?fit=750%2C400&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":31619,"url":"https:\/\/shunrize.com\/blog\/pifff-2013-les-premiers-films-de-la-selection\/","url_meta":{"origin":4646,"position":1},"title":"PIFFF 2013 – Les premiers films de cette 3e \u00e9dition","author":"Val\u00e9rie Denise","date":"16\/10\/2013","format":false,"excerpt":"La 3e \u00e9dition du Paris International Fantastic Film Festival, plus commun\u00e9ment appel\u00e9 le PIFFF, aura lieu du 19 au 24 novembre prochains au Gaumont Op\u00e9ra Capucines. La programmation compl\u00e8te n\u2019est pas encore disponible mais nous savons d\u2019ors et d\u00e9j\u00e0 qu\u2019une nuit sp\u00e9ciale sera consacr\u00e9e au Ma\u00eetre de l\u2019horreur, Stephen King.\u2026","rel":"","context":"Dans "CULTURE"","block_context":{"text":"CULTURE","link":"https:\/\/shunrize.com\/blog\/category\/culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2013\/10\/kiyoshi-kurasawa-real.jpg?fit=628%2C356&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2013\/10\/kiyoshi-kurasawa-real.jpg?fit=628%2C356&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2013\/10\/kiyoshi-kurasawa-real.jpg?fit=628%2C356&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":62884,"url":"https:\/\/shunrize.com\/blog\/perrotin-vr-narrative-experience-by-atlas-v-au-coeur-dune-nouvelle-dimension\/","url_meta":{"origin":4646,"position":2},"title":"Perrotin VR Narrative Experience by Atlas V, au coeur d\u2019une nouvelle dimension","author":"Val\u00e9rie Denise","date":"26\/10\/2020","format":false,"excerpt":"La r\u00e9alit\u00e9 virtuelle poursuit son incursion dans le monde de l\u2019art contemporain en investissant la galerie Perrotin du 3 novembre au 19 d\u00e9cembre 2020. 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