{"id":41957,"date":"2014-12-22T08:00:58","date_gmt":"2014-12-22T07:00:58","guid":{"rendered":"http:\/\/shunrize.com\/blog\/?p=41957"},"modified":"2020-07-15T16:36:30","modified_gmt":"2020-07-15T14:36:30","slug":"bilan-2014-mes-coups-de-coeur-cinema","status":"publish","type":"post","link":"https:\/\/shunrize.com\/blog\/bilan-2014-mes-coups-de-coeur-cinema\/","title":{"rendered":"Bilan 2014 : Mes coups de coeur cin\u00e9ma"},"content":{"rendered":"<p style=\"text-align: justify;\">Cette ann\u00e9e, pas l\u2019ombre d\u2019un Top sur Shunrize. Classer les films par ordre d\u2019int\u00e9r\u00eat m\u2019ennuyant profond\u00e9ment, je pr\u00e9f\u00e8re largement vous citer ceux qui m\u2019ont le plus marqu\u00e9. Afin de simplifier les choses, pas de films vus en Festival, la s\u00e9lection s\u2019est faite ici parmi les long-m\u00e9trages et documentaires ayant b\u00e9n\u00e9fici\u00e9 d\u2019une sortie en salles.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/www.shunrize.com\/2014\/Cine-2014.png?w=700\" alt=\"\" \/><\/p>\n<p style=\"text-align: justify;\">Vous pouvez (re)lire sur le site nos avis concernant : <a href=\"http:\/\/shunrize.com\/blog\/dallas-buyers-club-jean-marc-vallee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dallas Buyers Club<\/a>, <a href=\"http:\/\/shunrize.com\/blog\/avis-sorties-cinema-mercredi-19-mars-2014\/\" target=\"_blank\" rel=\"noopener noreferrer\">Her<\/a>, Mister Babadook\u00a0et <a href=\"http:\/\/shunrize.com\/blog\/night-call-dan-gilroy\/\" target=\"_blank\" rel=\"noopener noreferrer\">Night Call<\/a>. Retrouvez \u00e9galement ci-dessous des extraits de mes critiques publi\u00e9es dans le cadre de mon travail :<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4fb8a6;\"><strong>STATES OF GRACE : <\/strong><\/span>Pour son second long-m\u00e9trage, Destin Cretton \u00e9voque un sujet qui lui tenait particuli\u00e8rement \u00e0 c\u0153ur en reprenant les bases d\u2019un de ses court-m\u00e9trages tourn\u00e9 en 2008. Ayant lui-m\u00eame travaill\u00e9 dans ce type de centre d\u2019accueil pour jeunes en tant qu\u2019\u00e9ducateur, il y a trouv\u00e9 le mat\u00e9riau n\u00e9cessaire \u00e0 son r\u00e9cit. Ici, le spectateur est imm\u00e9diatement transport\u00e9 par la belle \u00e9nergie que d\u00e9gagent ce casting remarquable et la justesse du m\u00e9trage. L\u2019\u00e9motion est au rendez-vous dans cette \u0153uvre sensible et lumineuse qui pr\u00e9f\u00e8re ne pas tout miser sur la noirceur et le d\u00e9faitisme.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4fb8a6;\"><strong>THE RAID 2 : BERANDAL : <\/strong><\/span>\u00c9rig\u00e9 en nouveau ma\u00eetre du cin\u00e9ma d\u2019action, le r\u00e9alisateur gallois Gareth Evans d\u00e9montre avec ce second round toute l\u2019\u00e9tendue de son savoir-faire. A la fois inventif et visc\u00e9ral, son troisi\u00e8me long-m\u00e9trage indon\u00e9sien enchaine ainsi les combats spectaculaires et sanglants sans jamais perdre de vue les enjeux humains qui conditionnent le parcours de ses personnages. Brillamment chor\u00e9graphi\u00e9, ce r\u00e9jouissant carnage sous haute tension est toutefois vigoureusement d\u00e9conseill\u00e9 aux \u00e2mes sensibles.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4fb8a6;\"><strong>BLUE RUIN : <\/strong><\/span>Apr\u00e8s avoir \u00e9cum\u00e9 avec succ\u00e8s de nombreux festivals, le second film de Jeremy Saulnier arrive enfin sur nos \u00e9crans. Sept ans apr\u00e8s l\u2019excellent <em>Murder Party<\/em>, il retrouve le talentueux Macon Blair dans un thriller palpitant. Revisitant avec un second degr\u00e9 jouissif les codes du genre, le cin\u00e9aste m\u00eale adroitement r\u00e9alisme et situations d\u00e9cal\u00e9es afin de nous offrir une \u00e2pre critique sur les cons\u00e9quences dramatiques de la violence.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4fb8a6;\"><strong>NEW YORK MELODY : <\/strong><\/span>Apr\u00e8s <em>Once<\/em>, John Carney nous conte de nouveau l\u2019histoire de deux \u00e2mes perdues qui se trouvent et se redonnent le go\u00fbt de vivre gr\u00e2ce \u00e0 la musique. Une p\u00e9pite romantique enchant\u00e9e rythm\u00e9e par d\u2019habiles flashbacks, la douce voix de Keira Knightley et les r\u00e9pliques pleines d\u2019humour de Mark Ruffalo.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4fb8a6;\"><strong>BOYHOOD :<\/strong><\/span> De son enfance \u00e0 son adolescence, de ses premiers \u00e9mois \u00e0 son entr\u00e9e \u00e0 l\u2019universit\u00e9. Suivez les grandes \u00e9tapes de la vie d\u2019un jeune gar\u00e7on qui s\u2019\u00e9veille et murit presque en temps r\u00e9el. Durant 12 ans, le r\u00e9alisateur Richard Linklater (<em>Before Sunrise<\/em>) a ainsi r\u00e9uni les m\u00eames com\u00e9diens pour nous offrir une chronique unique sur la construction d\u2019une identit\u00e9 au sein d\u2019une cellule familiale. V\u00e9ritable terrain d\u2019exp\u00e9rimentation, son m\u00e9trage d\u00e9gage une \u00e9trange m\u00e9lancolie et nous captive en magnifiant les petits riens de l\u2018existence avec la conscience du temps qui passe.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4fb8a6;\"><strong>DANCING IN JAFFA : <\/strong><\/span>Exil\u00e9 \u00e0 l\u2019\u00e9tranger depuis 1948, Pierre Dulaine, champion du monde de danse de salon, revient dans les rues de son enfance \u00e0 Jaffa en Isra\u00ebl. Il a un r\u00eave\u00a0: faire danser ensemble les enfants palestiniens et isra\u00e9liens. Durant dix semaines, nous le suivons face \u00e0 ses doutes, \u00e0 la r\u00e9sistance des pr\u00e9jug\u00e9s et croyances de deux communaut\u00e9s en conflit depuis pr\u00e8s de 70 ans. Parsem\u00e9 de bouleversants moments de v\u00e9rit\u00e9, ce documentaire profond\u00e9ment humaniste d\u00e9montre les vertus f\u00e9d\u00e9ratrices de la danse. Une v\u00e9ritable lueur d\u2019espoir dans les t\u00e9n\u00e8bres du conflit au Moyen-Orient.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4fb8a6;\"><strong>MAY OF SUMMER : <\/strong><\/span>Sc\u00e9nariste, r\u00e9alisatrice et actrice, Cherien Dabis nous emm\u00e8ne dans la Jordanie contemporaine o\u00f9 cohabitent tant bien que mal les communaut\u00e9s. Ici, traditions, modernit\u00e9 et imitation de l\u2019Occident s\u2019entrechoquent gaiement. Prenant le parti de se concentrer davantage sur l\u2019universalit\u00e9 des peines de coeur et des drames familiaux, elle parvient \u00e0 transcender les grands clivages sociaux-culturels au-del\u00e0 des st\u00e9r\u00e9otypes. Une tranche de vie \u00e0 l\u2019humour d\u00e9licat extr\u00eamement rafra\u00eechissante.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4fb8a6;\"><strong>MOMMY : <\/strong><\/span>Prix du jury au dernier Festival de Cannes, le cinqui\u00e8me long-m\u00e9trage de Xavier Dolan (<em>Tom \u00e0 la ferme<\/em>) explore de nouveau la figure maternelle. Inventif, le r\u00e9alisateur Qu\u00e9b\u00e9cois joue ici \u00e0 plusieurs reprises avec le format de l\u2019image afin d\u2019accentuer l\u2019\u00e9tat \u00e9motionnel de ses h\u00e9ros et nous mettre ainsi litt\u00e9ralement au c\u0153ur du r\u00e9cit. \u00c9paul\u00e9 par les performances f\u00e9roces d\u2019un trio d\u2019acteurs qu\u2019il connait bien, Dolan nous livre un drame familial bouleversant \u00e9tonnamment baign\u00e9 de lumi\u00e8re.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Retrouvez mes coups de c\u0153ur cin\u00e9ma de l&rsquo;ann\u00e9e 2014<\/p>\n","protected":false},"author":1,"featured_media":41958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"csco_post_text_color":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[5149],"tags":[7285],"class_list":{"0":"post-41957","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture","8":"tag-cinema","9":"cs-entry","10":"cs-video-wrap"},"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2014\/12\/bilan-cinema-2014.png?fit=750%2C400&ssl=1","jetpack-related-posts":[{"id":14445,"url":"https:\/\/shunrize.com\/blog\/festival-paris-courts-devant-2010\/","url_meta":{"origin":41957,"position":0},"title":"Festival Paris Courts Devant 2010 : Programme","author":"Val\u00e9rie Denise","date":"02\/10\/2010","format":false,"excerpt":"Depuis sa cr\u00e9ation l\u2019\u00e9quipe de Courts Devant s'emploie \u00e0 nous pr\u00e9senter une s\u00e9lection tr\u00e8s vari\u00e9e de films courts. Pour cette 6e \u00e9dition, \"Courts Devant\" devient \u201cParis Courts Devant\u201d et sera une fois encore consacr\u00e9e \u00e0 une s\u00e9lection internationale de tout premier ordre. Du 14 au 17 octobre prochain Le Cin\u00e9ma\u2026","rel":"","context":"Dans &quot;CULTURE&quot;","block_context":{"text":"CULTURE","link":"https:\/\/shunrize.com\/blog\/category\/culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2010\/10\/pariscourtsdevant.jpg?fit=628%2C356&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2010\/10\/pariscourtsdevant.jpg?fit=628%2C356&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2010\/10\/pariscourtsdevant.jpg?fit=628%2C356&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":28267,"url":"https:\/\/shunrize.com\/blog\/critique-chimpanzes\/","url_meta":{"origin":41957,"position":1},"title":"Cin\u00e9ma | Chimpanz\u00e9s &#8211; Critique","author":"Val\u00e9rie Denise","date":"20\/02\/2013","format":false,"excerpt":"Apr\u00e8s \"Les Ailes Pourpres\", \"Pollen\" et \"F\u00e9lins\", voici \"Chimpanz\u00e9s\" le dernier n\u00e9 de la collection Disney Nature. Cette fois-ci, les amoureux de la faune et de la flore ont rendez-vous dans la luxuriante for\u00eat de Ta\u00ef. A travers Oscar, un petit chimpanz\u00e9, nous d\u00e9couvrons l\u2019apprentissage de la vie au c\u0153ur\u2026","rel":"","context":"Dans &quot;CULTURE&quot;","block_context":{"text":"CULTURE","link":"https:\/\/shunrize.com\/blog\/category\/culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2013\/01\/Chimpanzes-oscar.jpg?fit=628%2C356&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2013\/01\/Chimpanzes-oscar.jpg?fit=628%2C356&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2013\/01\/Chimpanzes-oscar.jpg?fit=628%2C356&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":25605,"url":"https:\/\/shunrize.com\/blog\/palmares-et-bilan-paris-cinema-2012\/","url_meta":{"origin":41957,"position":2},"title":"Paris Cinema 2012 : Palmar\u00e8s &#038; Bilan","author":"Val\u00e9rie Denise","date":"10\/07\/2012","format":false,"excerpt":"La 10e \u00e9dition du Festival Paris Cin\u00e9ma touche \u00e0 sa fin et c'est d\u00e9sormais l'heure d'\u00e9tablir un petit bilan. Apr\u00e8s le comit\u00e9 de lecture de sc\u00e9nario du Club 300 d'AlloCin\u00e9 pour Parallel Lines (un concours de court-m\u00e9trage chapeaut\u00e9 par Ridley Scott) et le Golden Blog Award de la cat\u00e9gorie cin\u00e9ma,\u2026","rel":"","context":"Dans &quot;CULTURE&quot;","block_context":{"text":"CULTURE","link":"https:\/\/shunrize.com\/blog\/category\/culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2012\/07\/paris-cinema-2012.jpg?fit=628%2C356&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2012\/07\/paris-cinema-2012.jpg?fit=628%2C356&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2012\/07\/paris-cinema-2012.jpg?fit=628%2C356&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":61140,"url":"https:\/\/shunrize.com\/blog\/festival-le-temps-presse-2020-interview-marc-oberon\/","url_meta":{"origin":41957,"position":3},"title":"Marc Ob\u00e9ron, fondateur du Festival Le Temps Presse","author":"Val\u00e9rie Denise","date":"22\/01\/2020","format":false,"excerpt":"Depuis 2011, Le Festival Le Temps Presse met en lumi\u00e8re un cin\u00e9ma en ad\u00e9quation avec les objectifs de d\u00e9veloppement durable des Nations Unies. Apr\u00e8s avoir attir\u00e9 plus de 5 000 spectateurs l\u2019an dernier, il revient ce soir pour une 9e \u00e9dition qui se tiendra jusqu\u2019au 26 janvier dans 3 cin\u00e9mas\u2026","rel":"","context":"Dans &quot;CULTURE&quot;","block_context":{"text":"CULTURE","link":"https:\/\/shunrize.com\/blog\/category\/culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2020\/01\/festival-le-temps-presse-2020.jpg?fit=1200%2C520&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2020\/01\/festival-le-temps-presse-2020.jpg?fit=1200%2C520&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2020\/01\/festival-le-temps-presse-2020.jpg?fit=1200%2C520&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2020\/01\/festival-le-temps-presse-2020.jpg?fit=1200%2C520&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2020\/01\/festival-le-temps-presse-2020.jpg?fit=1200%2C520&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":5606,"url":"https:\/\/shunrize.com\/blog\/drag-me-to-hell\/","url_meta":{"origin":41957,"position":4},"title":"Cin\u00e9ma | Drag me to hell &#8211; Critique","author":"Val\u00e9rie Denise","date":"28\/05\/2009","format":false,"excerpt":"Lorsque Christine d\u00e9cide de ne pas octroyer de pr\u00eat \u00e0 Mme Ganush, elle ne pensait s\u00fbrement pas que cela aurait de telles cons\u00e9quences. Ainsi, le soir m\u00eame, elle se retrouve \u00e0 combattre la vieille gitane aux chicots pourris \u00e0 coup d'agrafeuse dans le parking de la banque. Un bon moment\u2026","rel":"","context":"Dans &quot;DEVIANT ZONE&quot;","block_context":{"text":"DEVIANT ZONE","link":"https:\/\/shunrize.com\/blog\/category\/deviant-zone\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2009\/05\/Drag-Me-to-Hell.jpg?fit=628%2C356&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2009\/05\/Drag-Me-to-Hell.jpg?fit=628%2C356&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2009\/05\/Drag-Me-to-Hell.jpg?fit=628%2C356&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":49015,"url":"https:\/\/shunrize.com\/blog\/critique-sing-street-john-carney\/","url_meta":{"origin":41957,"position":5},"title":"Cin\u00e9ma | Sing Street de John Carney &#8211; Critique","author":"Val\u00e9rie Denise","date":"20\/10\/2016","format":false,"excerpt":"Au d\u00e9but des ann\u00e9es 80, Dublin affronte une terrible r\u00e9cession \u00e9conomique. Personne n\u2019est \u00e9pargn\u00e9 par le ch\u00f4mage et la plupart des irlandais r\u00eavent d\u2019\u00e9migrer vers le Royaume-Uni. A 15 ans, Conor (Ferdia Walsh-Peelo) voit rapidement son petit monde imploser. En effet, ses parents ne cessent de se disputer et le\u2026","rel":"","context":"Dans &quot;CULTURE&quot;","block_context":{"text":"CULTURE","link":"https:\/\/shunrize.com\/blog\/category\/culture\/"},"img":{"alt_text":"Sing Street casting","src":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2016\/10\/Sing-Street.jpg?fit=1200%2C520&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2016\/10\/Sing-Street.jpg?fit=1200%2C520&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2016\/10\/Sing-Street.jpg?fit=1200%2C520&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2016\/10\/Sing-Street.jpg?fit=1200%2C520&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/shunrize.com\/blog\/wp-content\/uploads\/2016\/10\/Sing-Street.jpg?fit=1200%2C520&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/posts\/41957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/comments?post=41957"}],"version-history":[{"count":0,"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/posts\/41957\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/media\/41958"}],"wp:attachment":[{"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/media?parent=41957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/categories?post=41957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shunrize.com\/blog\/wp-json\/wp\/v2\/tags?post=41957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}